Dziga Vertov’s editing diagram for Man with a Movie Camera (1929), the Hair salon sequence. Blue boxes describe shot contents, the red line between them visualizes the rhythmic quality of editing (“intervals,” in Vertov’s parlance).
Kurt Kren’s shot plan for Mom and Dad (1964) and his editing diagram for Self-mutilation (1965)
Kurt Kren’s shot plan for the film September 20th (1967)
Kurt Kren’s color charts for Asylum (1975)
V 92
Simfonija Donbassa. Raskadrovka fil’ma. 1. Schema 1930
Symphony of the Donbas. Breakdown of the film
D 1930 F 210 x 336 M Autograph, violet and blue ink on squared double page, connected with paper strips U 2 sheet, 4 sides\
Experiment to graphically chart a montage episode [Opyt graficeskoj zapisi smontirovannogo epizoda] (reproduced in the book “Film Today”, dedicated to Kulesov, Vertov and Eisenstein) 1925.
DoxDoxDox
quarta-feira, 23 de maio de 2012